Though ridiculed by critics, artist’s work is honest, with an authentic, working-class sensibility, writes Jackie Kemp
From The Scotsman, October 25.
WHAT on earth is happening at Kelvingrove Art Gallery in Glasgow? It is mid-morning on a weekday but the car parks are overflowing. Cars are jinking about, competing for any vacated space. The art gallery itself is hotching. There are actual traffic jams in front of certain pictures and there is a queue at the till in the exhibition shop. The postcard rack is half empty and the limited edition prints are flying off the shelves.
The public response to Jack Vettriano’s first major retrospective is a marked contrast to the funereal atmosphere of the big empty rooms at this year’s Edinburgh International Festival exhibition of the recent work of Peter Doig, a commercially successful painter whose massive and anodyne, though slapdash, landscapes would be a safe bet for decorating the foyer of any corporate headquarters in Zurich.
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